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"Done Too Soon" is a song written, composed and performed by Neil Diamond, and released on his 1970 album Tap Root Manuscript. Listed as track 4 on side one of the album, it was jointly arranged by Marty Paich and Lee Holdridge and jointly produced by Diamond and Tom Catalano .
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
"Almost Maybes" is a song co-written and recorded by American country pop singer Jordan Davis. It was released in May 2020 as the lead single from Davis' eponymous EP. It was released in May 2020 as the lead single from Davis' eponymous EP.
"Today" has been included in a few compilation albums. The eighteenth volume of Indie Top 20, a Melody Maker-sponsored compilation series which serves as a "time capsule of U.K. indie music", features "Today" as its fourth track. [30] The song appears on a two-disc MTV Dutch import, Rock Am Ring, a collection of hit singles from the early 1990s ...
The latter song had been a major hit for the Hollies the previous year. While the first side of the LP contained five pop rock songs, Side Two was a conceptual suite of related songs expressing an African theme, titled "The African Trilogy". Within this suite was the song "Soolaimon", which rose to number 30 in the US. [4]
Burt Bacharach, one of the most accomplished and revered songwriters in pop music history, died peacefully in his Los Angeles home yesterday (Feb. 8) at the age of 94. Rising to fame in the ‘50s ...
The song was part of the repertoire of the Country Gentlemen, who toured both the bluegrass and folk music circuits during the 1950s and 1960s. In the early 1960s, "Katie Dear" was recorded by folk revival musicians, including Joan Baez, and Ian & Sylvia. Today it is commonly performed and recorded by bluegrass musicians.
The song features a hectic style rhythm guitar in juxtaposition with Harrison's placid vocal. Its composers give it an unexpected choice of chord at the crux of its chorus, augmenting the B7th on "I'm happy just to dance with you". The song is also distinctive in that it begins not with a verse or chorus but with the last four bars of the ...