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Pope believes that in the pre-historic period the Dravidian religion was a precursor to Shaivism and Shaktism [13] while John B. Magee was of the view that native Dravidian religion prior to 1500 BCE was unclear. [14] Other scholars define it as a non-Vedic part of Hinduism.
The Kushan Empire, which succeeded the Indo-Greek Kingdom for nearly the next four hundred years, used the Greek alphabet and Greek legends on their coins. They also adopted other elements of Greek culture. Art themes derived from Greek mythology were common initially but later Buddhist imagery dominated. [23]
Dravidian studies (also Dravidology, Dravidiology) is the academic field devoted to the Dravidian languages, literature, and culture. It is a superset of Tamil studies and a subset of Indology . Early missionaries
Tamil mythology refers to the folklore and traditions that are a part of the wider Dravidian pantheon, originating from the Tamil people. [1] This body of mythology is a fusion of elements from Dravidian culture and the parent Indus Valley culture, both of which have been syncretised with mainstream Hinduism .
The Dravidian peoples, Dravidian-speakers or Dravidians, are a collection of ethnolinguistic groups native to South Asia who speak Dravidian languages. There are around 250 million native speakers of Dravidian languages. [ 1 ]
Vedic mythology contains numerous elements which are common to Indo-European mythological traditions, like the mythologies of Persia, Greece, and Rome, and those of the Celtic, Germanic, Baltic, and Slavic peoples.
In the Ancient Greek system of Olympian Gods, Cronus displaces Uranus, and Zeus in turn displaces Cronus. In Norse mythology, Odin assumes the role as the Allfather or King of the Gods, but Norse mythology has multiple tribes of Gods such as the Æsir and Vanir, and Odin starts off as only the leader of the former.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.