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His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
Dye-sublimation printing is a direct-to-garment digital printing technology using full color artwork to transfer images to polyester and polymer-coated substrate based T-shirts. Dye-sublimation (also commonly referred to as all-over printing) came into widespread use in the 21st century, enabling some designs previously impossible.
As personalized pet ornaments go, this is a handsome one. Pawfect House ornaments are made of acrylic with a dye sublimation print and a faux 3D effect from a photograph you provide.
A dyed photo blanket is the newest type of photo blanket and is made by printing dye onto fabric from a digital image (see dye sublimation). This type allows for unlimited colors and has the sharpest picture clarity of the three. Each process creates a permanent picture, with varying degrees of softness, color and clarity.
Prang was a German-born entrepreneur who printed the first American Christmas card. [13] He felt that chromolithographs could look just as good as, if not better than, real paintings, and he published well-known chromolithographs based on popular paintings, including one by Eastman Johnson entitled The Barefoot Boy . [ 10 ]
The Christmas Bullet, later known as the Cantilever Aero Bullet (sometimes referred to as the Christmas Strutless Biplane), was an American single-seat cantilever wing biplane. It is considered by many to be among the worst aircraft ever constructed for its time.
Theatrical smoke and fog, also known as special effect smoke, fog or haze, is a category of atmospheric effects used in the entertainment industry.The use of fogs can be found throughout motion picture and television productions, live theatre, concerts, at nightclubs and raves, amusement and theme parks and even in video arcades and similar venues.
3D models of Goya's work. They began their own collaboration in 1991. The brothers have often made pieces with plastic models or fibreglass mannequins of people. An early piece consisted of eighty-three scenes of torture and disfigurement derivative of those recorded by Francisco Goya in his series of etchings, The Disasters of War (a work they later returned to) rendered into small three ...