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Années contains some pieces which are loose transcriptions of Liszt's own earlier compositions; the first "year" recreates his early pieces of Album d'un voyageur, while the second book includes a resetting of his own song transcriptions once separately published as Tre sonetti di Petrarca ("Three sonnets of Petrarch"). The relative obscurity ...
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
The most popular of the series and, along with the third Waltz, most praised musically, the Der Tanz in der Dorfschenke: Erster Mephisto-Walzer ("The Dance in the Village Inn: First Mephisto-Waltz"), or the First Mephisto Waltz, is the second of two short works he wrote for orchestra under the title Zwei Episoden aus Lenaus Faust.
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
In 1834, Franz Liszt wrote his Grosses Konzertstück über Mendelssohns Lieder ohne Worte (Grand Concert Piece on Mendelssohn's Songs Without Words) for 2 pianos. This was based on songs 1–3 of Book I, Op. 19b. [13] Liszt and a student, Mlle. Vial, started to play it in Paris on 9 April 1835 [14] but Liszt became ill during the performance.
Mazeppa is a symphonic poem (German: Symphonische Dichtung) composed by Franz Liszt between the years 1851 to 1854 for orchestra. Mazeppa, S. 100, is the sixth in the cycle of twelve symphonic poems written during Liszt's time in Weimar, [1] however a thirteenth composition was added to his collection in 1882. [2]
The first version appears in Liszt's set Album d'un voyageur (1834–1838), and the second in the first suite of Liszt's Années de pèlerinage (1836–1855). The last version is almost identical to the second, except for the final nine bars, which were added by Liszt as a coda for his Italian piano student Giovanni Sgambati , who was also a ...