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Final is a 2001 science fiction film directed by Campbell Scott.It stars Denis Leary, Hope Davis, J. C. MacKenzie, Jim Gaffigan, Jim Hornyak, and Maureen Anderman. Earl Hindman also starred in this movie, and this was his final film role prior to his death two years later, in 2003.
May 25, 2001 Pearl Harbor: co-production with Jerry Bruckheimer Films June 29, 2001 Crazy/Beautiful — August 24, 2001 Bubble Boy; September 7, 2001 New Port South: co-production with Hughes Entertainment: October 12, 2001 Corky Romano — October 26, 2001 High Heels and Low Lifes: co-production with Fragile Films: November 21, 2001 Out Cold
Final Fantasy: The Spirits Within is a 2001 adult animated science fiction film directed by Hironobu Sakaguchi, creator of the Final Fantasy franchise. It was the first photorealistic computer-animated feature film and the most expensive video game-inspired film until the release of Prince of Persia: The Sands of Time in 2010.
The Substitute: Failure Is Not An Option (also known as The Substitute 4) is a 2001 action thriller film directed by Robert Radler and starring Treat Williams as Karl Thomasson, a former mercenary who must infiltrate a military school's faculty to stop the actions of a white supremacist cult.
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Conspiracy is a 2001 made-for-television drama film that dramatises the 1942 Wannsee Conference.Using the authentic script taken from the only surviving transcript recorded during the meeting, the film delves into the psychology of Nazi officials involved in the "Final Solution of the Jewish question" during World War II.
The estates of both Clarke and 2001: A Space Odyssey director Stanley Kubrick were reported as having "offered their full support", but the extent of their involvement was not known at the time. [2] In February 2016, within Syfy's press release for its television pilot Prototype , other series including the Final Odyssey series were mentioned ...
Ebert writes in his essay on 2001 in The Great Movies: The Star Child looking upon the Earth. North's [rejected] score, which is available on a recording, is a good job of film composition, but would have been wrong for 2001 because, like all scores, it attempts to underline the action—to give us emotional cues. The classical music chosen by ...