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The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Negative painting on a pitcher from Miletus, Greece, 7th century BC. There have also been examples of negative painting on pottery in Colombia and on the north coast of Brazil near the mouth of the Amazon. There are also examples of negative painted pottery from the ancient Mediterranean, from Italy [12] and Miletus and Rhodes.
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Euphronios seems to have taken over a pottery workshop around 500 BC. It is not unusual in the history of Greek pottery and vase painting for artists to be active in both fields; several other painters from the Pioneer Group, such as Phintias and Euthymides are also known to have been potters. Nonetheless, the situation of Euphronios is unique ...
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [11] Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body.