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The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Pouncing (Italian Spolvero) is an art technique used for transferring an image from one surface to another using a fine powder called pounce. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
For the drawing Eve ('The Nightmare'), Gauguin started by coating a sheet of paper with printers ink, then placing a blank sheet on top which becomes the artwork. [5] Markings made with various drawing instruments to create an artwork on one side of the sheet, also transfer the printers ink to the back side of the sheet.
Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In the case of monotypes, the plate is a featureless plate. It contains no features that will impart any definition to successive prints.
Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal. Artists have used the technique to print on bottles, on slabs of granite, directly onto walls, and to reproduce images on textiles which would distort under pressure from printing presses.
Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails. The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6]