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William D. Evans (born February 9, 1958) is an American jazz saxophonist, [1] who was a member of the Miles Davis group in the 1980s and has since led several of his own bands, including Push and Soulgrass. [2]
Bill Evans at Town Hall: First appeared in "In Memory of His Father Harry L.," an extended solo featuring other pieces; lyrics by Gene Lees: T.T.T. (Twelve Tone Tune) 1971: The Bill Evans Album: Based on a tone row: T.T.T.T. (Twelve Tone Tune Two) 1973: The Tokyo Concert: Based on a tone row: The Two Lonely People: 1971: The Bill Evans Album
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
Recorded live on August 9, 1974, during the Laren International Jazz Festival at the Singer Concertzaal located in Laren, Netherlands, and on August 16, 1974, during Jazz Middelheim held in Antwerp, Belgium, this record features pianist Bill Evans and tenor saxophonist Stan Getz. It was the second time the two musicians recorded together.
Unlike in the cases of Davis and Adderley, "Nardis" was an important part of Bill Evans's repertoire, as it appears on many of his albums: Trio at Birdland (1960), Explorations (1961), The Solo Sessions, Vol. 1 (1963), Trio Live (1964), Bill Evans at the Montreux Jazz Festival (1968), Quiet Now (1969), You're Gonna Hear from Me (1969), "Live at the Festival" (1972), The Paris Concert: Edition ...
Stan Getz & Bill Evans (subtitled Previously Unreleased Recordings) is an album by jazz saxophonist Stan Getz and pianist Bill Evans recorded in 1964 for the Verve label, but not released until 1973. [ 1 ] [ 2 ]
In ‘SNL’ Promo, Host Bill Burr Reveals ‘Who Actually Killed Epstein’ and Jokes He ‘Voted for Everybody’ in the Election Adam B. Vary November 6, 2024 at 11:41 AM
Crosscurrents is an album by American jazz pianist Bill Evans, recorded in early 1977 and released in 1978 on Fantasy as F 9568. Along with Evans' trio of Eddie Gómez and Eliot Zigmund, Lee Konitz and Warne Marsh guest on alto and tenor saxophone respectively.