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  2. Keep Your Powder Dry - Wikipedia

    en.wikipedia.org/wiki/Keep_Your_Powder_Dry

    It was reported in August 1944 that cinematographer Richard Rosson shot backgrounds for the film at the Women's Army Corps training centers in Des Moines, Iowa, and Fort Oglethorpe. [3] Sgt. Art Moore of the U.S. Army Signal Corps Photographic Unit instructed 50 dancing girls for drill scenes featured in the film.

  3. Ali Bayramov Club - Wikipedia

    en.wikipedia.org/wiki/Ali_Bayramov_Club

    The Ali Bayramov Women's Club, active in Baku and the surrounding regions, was opened in 1920 under the direction of the People's Commissariat for Education. [2] The Club was originally founded as a literacy and sewing circle by Jeyran Bayramova with the aim of enlightening Azeri women.

  4. Women's oversized fashion in the United States since the 1920s

    en.wikipedia.org/wiki/Women's_oversized_fashion...

    Women too began to explore the trend. The group TLC (band) and R&B singer Aaliyah created their own urban fashion for women. [21] The trend consisted of wearing oversized pants and big flannel shirts. The hardcore aspect of rap did not fully permit the women to embrace a feminine look that might make them appear weaker. [22]

  5. Picture for Women - Wikipedia

    en.wikipedia.org/wiki/Picture_for_Women

    Picture for Women is a photographic work by Canadian artist Jeff Wall. Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s.

  6. List of women's magazines - Wikipedia

    en.wikipedia.org/wiki/List_of_women's_magazines

    This is a list of women's magazines from around the world. ... Family Circle (1932–2019, US) Family Health (1969–1991, US) The Farmer's Wife (1897–1939, US)

  7. Warli painting - Wikipedia

    en.wikipedia.org/wiki/Warli_painting

    Men and women entwine their hands and move in a circle around the tarpa player. The dancers then follow him, turning and moving as he turns, never turning their backs to the tarpa. The musician plays two different notes, which direct the head dancer to either move clockwise or counterclockwise.