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-30-has been traditionally used by journalists in North America to indicate the end of a story or article that is submitted for editing and typesetting. It is commonly employed when writing on deadline and sending bits of the story at a time, via telegraphy, teletype, electronic transmission, or paper copy, as a necessary way to indicate the ...
An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story.
When it happens near the end of a story, it is known as a twist ending or surprise ending. [2] It may change the audience's perception of the preceding events, or introduce a new conflict that places it in a different context. A plot twist may be foreshadowed, to prepare the audience to accept it, but it usually comes with some element of ...
The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Long spoilers usually provide more context and range between two and five sentences. They provide a summary and reveal the ending of a story. Lastly, thematic spoilers reveal a story's unifying theme as well as providing a synopsis of the plot and revealing the ending. They range from three to six sentences in length.
The story stopped feeling quite so raw, so high-acid. It had become something else, something larger and more interesting, less steeped in cliché. And I had words for it—ones I found far more ...
The final scene of Charlie Chaplin's 1916 film Behind the Screen, where the hero and the female lead are united. A happy ending is an ending of the plot of a work of fiction in which there is a positive outcome for the protagonist or protagonists, and in which this is to be considered a favourable outcome.