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The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s.It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1]
Richard Erdman, who played Hoffy in Stalag 17, guest-starred on Hogan's Heroes as Walter Hobson, a reporter, who with Hogan's crew, is freed in the episode "No Names Please". Erdman is the only star of the movie to have guest-starred on Hogan's Heroes. "Stalag 17" is a 1973 reggae riddim, composed by Ansell Collins and named after the film.
Sister Nancy, however, sampled the Toots and the Maytals's Bam Bam over the Stalag riddim instead, a popular reggae riddim which came to prominence in the 1970s. The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973.
His "Stalag" riddim is the most sampled reggae song of all time. The rhythm was first released in 1973, as the instrumental Ansell Collins track "Stalag 17", named after the World War II film of the same name .
The Soul Syndicate's "Stalag 17" and "Taxi" bass lines, are among many bass lines created by George "Fully" Fullwood, an instrumental, featuring Ansell Collins on organ who was a resident studio musician for Soul Syndicate in the 1970s, was much-versioned, providing the basis for hits over the two decades that followed for Big Youth, Horace ...
Stalag riddim; This page was last edited on 1 November 2021, at 00:53 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
He went back to Broadway as Sgt. Harry Shapiro in Stalag 17, [5] subsequently playing the same role in the film version directed by Billy Wilder, [4] earning the Theater Owners of America's Laurel Award for outstanding comedy performance and best possibility for stardom. From 1952 to 1954 Lembeck also made nine other films, mostly playing ...
As an introductory theme, the concerts often started with a version of the stalag riddim by Winston Riley, with keyboardist Tyrone Downie chanting "Marley!" over the riddim while Marley coming to the stage (therefore the intro is commonly called "Marley Chant" among fans).