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Whitey Ford Sings the Blues is the second solo studio album by American recording artist Everlast, and the first one following his departure from House of Pain.It was released on September 8, 1998, via Tommy Boy Records, a full eight years after his solo debut album Forever Everlasting and after he had a major heart attack.
Everlast's 1998 album Whitey Ford Sings the Blues was both a commercial and critical success [3] (selling more than three million copies). [citation needed] Whitey Ford Sings the Blues was hailed for its blend of rap with acoustic and electric guitars, developed by Everlast together with producers Dante Ross and John Gamble.
In 1998, Grammy Award–winning musician Everlast released a CD entitled Whitey Ford Sings the Blues, and assumed "Whitey Ford" as a nickname. [45] Ford was portrayed by Anthony Michael Hall in the HBO movie, 61* (2001), about Roger Maris and Mickey Mantle's 1961 quest to break Babe Ruth's single-season home run record. It was directed by Billy ...
Download as PDF; Printable version; In other projects Wikidata item ... Black Mask (1999) - "Painkillers" {from Whitey Ford Sings the Blues} Black & White (2000 ...
"Ends" is a song by American musician Everlast, released in 1998 via Tommy Boy Records as the second single from his sophomore studio album, Whitey Ford Sings the Blues (1998). The song was written by Everlast and Dante Ross and was produced by Ross and John Gamble.
"What It's Like" is a song by American musician Everlast. It was released in July 1998 as the lead single from his second studio album, Whitey Ford Sings the Blues (1998). ). The song is typical of the style Everlast embraced after leaving hip hop trio House of Pain, which combines rock, hip-hop and blues while incorporating characterization and empathy towards impoverished protagoni
Ciancia was a keyboardist and co-producer for Everlast (1998–2007) whom he toured with extensively and recorded on albums Whitey Ford Sings the Blues, Eat at Whitey's, and White Trash Beautiful. He later co-produced Love, War and the Ghost of Whitey Ford as well as producing Everlast's Emmy Award-winning theme song, "Saving Grace", for the TV ...
The album mainly blends country and blues into lyrical narratives of loneliness. [3] Everlast uses a haggard voice for singing grim songs. [ 5 ] He occasionally engages in rap clichés, with verses expressing street bravado and cynicism in addition to relationship issues and heartbreak.