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The Phaedo presents a real challenge to commentators through the way that Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular in the final argument, this connection is spelled out concretely by means of ...
The view that life is self-motion and that the soul is a self-mover is used by Plato to guarantee the immortality of the soul, making this a novel argument for the soul's immortality not found in the Phaedo. [9] Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view ...
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo, for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth (Phd. 109a–111c).
Plato never presents himself as a participant in any of the dialogues, and with the exception of the Apology, there is no suggestion that he heard any of the dialogues firsthand. Some dialogues have no narrator but have a pure "dramatic" form, some dialogues are narrated by Socrates himself, who speaks in the first person.
Plato. Complete Works. Hackett, 1997. ISBN 978-0872203495; The Last Days of Socrates, translation of Euthyphro, Apology, Crito, Phaedo. Hugh Tredennick, 1954. ISBN 978-0140440379. Made into a BBC radio play in 1986. "Four Texts on Socrates: Plato's Euthyphro, Apology, and Crito, and Aristophanes' Clouds." Translated by Thomas G. West and Grace ...
The Menexenus of Plato's dialogue appears also in the Lysis, where he is identified as the "son of Demophon", [1] as well as the Phaedo. The Menexenus consists mainly of a lengthy funeral oration , referencing the one given by Pericles in Thucydides ' account of the Peloponnesian War .