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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
The typical combination of end-rhyme, internal rhyme and alliteration came originally from the example of late Latin hymns, as elaborated by Irish monks. The new metres are the vehicle for monastic lyric poems inspired by love of Nature, love of solitude and love of the Divine which have been described as the finest Irish poetry of their age ...
First and third lines have a feminine rhyme and the second and fourth lines have a masculine rhyme. A 1 abA 2 A 1 abA 2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second lines of the two stanzas are different, but rhyme at the end with the first and last lines.
By the end, the poet's older voice has taken over, mourning his lost youth with echoes of the opening: Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea. [18] The poem uses internal half rhyme and full rhyme as well as end rhyme.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [8] A rhyme scheme is the pattern of rhyming lines ...
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The line break 'must/n't' allows a double reading of the word as both 'must' and 'mustn't', whereby the reader is made aware that old age both enjoins and forbids the activities of youth. At the same time, the line break subverts 'mustn't': the forbidding of a certain activity—in the poem's context, the moral control the old try to enforce ...