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As construction techniques were developed, quarries opened, and kilns constructed, various parts of the country began to show a preference for specific building materials. [2] As a result, bahay na bato have several variations along ethnic lines. The bahay na bato in Cebu, for example, differs from the one in Ilocos and so on.
The structure is an example of bahay na bato architecture, which stands on large wooden posts sunk into the ground. The house has wooden and stone walls with brick and coquina exteriors made from crushed shells and corals. It also used construction materials such as narra, balayong and molave. [4]
This, along with the emerging stone works at the bottom part of the house, classifies the house under the 1st Transition of Bahay na bato. The support beams are decorated with the chambered nautilus motif. [2] The high quality of materials used in construction is evidenced by the house's resilience through the centuries.
Close-up of the panes of a capiz-shell window panel. In 19th-century Philippine colonial architecture, bahay na bato houses extensively used the capiz-shell window element. . Designed to take advantage of tropical cool breezes, these houses' large windows were built at least a meter high and as wide as five mete
In this era, the nipa hut or bahay kubo gave way to the bahay na bato (stone house) and became the typical house of noble Filipinos. The bahay na bato, the colonial Filipino house, followed the nipa hut's arrangements such as open ventilation and elevated apartments. The most obvious difference between the two houses would be the materials that ...
It corresponds to long tradition by Filipino people of giving reverence for ancestors and elders. Houses could be a simple house to a mansion. The most common ones are the "Bahay na Bato". Some houses of prominent families had become points of interest or museums in their community because of its cultural, architectural or historical significance.
Silay's stone houses, or bahay na bato —most of which are owned by landed farmers and sugar barons—are material reminders of the life of the affluent in the late 19th century to the early 20th century, the golden age of Silay and the peak of the sugar industry in the province.
They collectively evolved a style of construction that soon became synonymous with the lowland culture architecture known as bahay kubo. Appearance varies from simple huts, later known by the Americans as nipa huts, to mansions like bahay na bato. Architectural designs and furnishings varied from standard Filipino, Chinese, Americas, European ...