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In the 21st century, some companies and individuals are working on reviving, preserving, and upholding Vietnamese traditional culture, including Vietnamese clothing and designs. In 2013, researcher Trần Quang Đức published the book Ngàn năm áo mũ , marking the first step in restoring traditional costumes in Vietnam.
Designer Le Si Hoang is a celebrity in Vietnam and his shop in Ho Chi Minh City is the place to visit for those who admire the dress. [25] In Hanoi, tourists get fitted with áo dài on Luong Van Can Street. [29] The elegant city of Huế in the central region is known for its áo dài, nón lá (lit. ' traditional leaf hat '), and well-dressed ...
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
The Vietnamese civilians (man and woman) in Lê dynasty wearing áo giao lĩnh. In the 17th and 18th century, the áo giao lĩnh worn by men was an ankle-level gown which could be used as part of a formal attire; it was composed of four-panel of fabric and was loose-fitting and featured a jiaoling youren collar, loose sleeves, and side slits.
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
Unlike other Vietnamese clothing that helped to segregate the classes, the unseen yếm were worn as an undergarment by Vietnamese women of all walks of life, from peasant women toiling in the fields to imperial consorts. It is an integral part of the áo tứ thân costume, which it is often worn underneath. Girls in yếm and váy đụp
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.