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Chinese knotting, also known as zhongguo jie (Chinese: 中國結; pinyin: Zhōngguó jié), is a Chinese folk art with ties to Buddhism and Taoism. [1] A Chinese knot is made from a single length of cord that is woven into different shapes, with each shape having a symbolic meaning. [ 2 ]
'Chinese knots') in Chinese and Chinese knotting in English. The term Chinese knotting only became known in recent years when it was summarized by Lydia Chen in the 1980s. [2] It was a tradition to use the lào and/or tāo as a form of yaopei (lit. 'waist girdle ornament') in Hanfu where it was tied to the waist by using silk or cotton ribbon. [1]
Chinese knotting (中國結) is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song dynasty [1] (AD 960–1279) in China. It was later popularized in the Ming. The art is also referred to as Chinese traditional decorative knots. [2] One of the more traditional art forms, it creates decorative knot patterns.
The frog is the end-product of thousands years of traditional Chinese knotting craft, which is itself rooted in the Lào zi culture. [3] [11] As a form of fastener, the frog first appeared on traditional Chinese clothing, [1] [12] and can be traced back to the Song dynasty when fabric was braided into braid buckles to create the loop and the button knot.
Knots and knotting have been used and studied throughout history. For example, Chinese knotting is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song Dynasty (960–1279 AD) in China, later popularized in the Ming. Knot theory is the recent mathematical study of knots.
The Good luck knot [a], [2] [3] [4] also known as the Chrysanthemum Knot [b] [5] and One Mind Knot [c], [6] can be seen in images carved on a statue of the East Asian Goddess of Mercy, Guanyin, which was created between AD 557 and 588, and later found in a cave in northwest China.
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
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