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Plato, whose influence on architecture is widely documented (e.g., 'idealism', 'neo-Platonic' architecture [1]), may be counted as part of a classical geometric model of cosmology, the popularity of which could be attributed to earlier thinkers such as Pythagoras. In early history, philosophers distinguished architecture ('technion') from ...
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
The Manasara is a comprehensive text on architecture and design, part of the larger corpus of the Vaastu Shastras and Shilpa Shastras, which provide guidelines on the principles of Indian architecture and construction. These texts blend technical design aspects with deep symbolic meaning derived from Hindu cosmology and traditions.
The type of architecture and size of the carved statues on walls resembles the Nagara architecture prevalent in Northern India more than the age-old teracotta temples of West Bengal of Bengal architecture. The main temple has stairs from two sides and a centrally located "Tulsimancha", which can be worshipped at halfway from both the stairs.
The Four Elements of Architecture is a book by the German architect Gottfried Semper. Published in 1851 , it is an attempt to explain the origins of architecture through the lens of anthropology . The book divides architecture into four distinct elements: the hearth, the roof, the enclosure and the mound. [ 1 ]
Theism is broadly defined as the belief in the existence of at least one deity. [ 1 ] [ 2 ] In common parlance, or when contrasted with deism , the term often describes the philosophical conception of God that is found in classical theism —or the conception found in monotheism —or gods found in polytheistic religions—or a belief in God or ...
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Within Christian church architecture, orientation is an arrangement by which the point of main interest in the interior is towards the east (Latin: oriens). The east end is where the altar is placed, often within an apse. The façade and main entrance are accordingly at the west end.