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Plato, whose influence on architecture is widely documented (e.g., 'idealism', 'neo-Platonic' architecture [1]), may be counted as part of a classical geometric model of cosmology, the popularity of which could be attributed to earlier thinkers such as Pythagoras. In early history, philosophers distinguished architecture ('technion') from ...
Le Corbusier's Five Points of Architecture is an architecture manifesto conceived by architect Le Corbusier. [1] It outlines five key principles of design that he considered to be the foundations of the modern architectural discipline, which would be expressed through much of his designs.
The Four Elements of Architecture is a book by the German architect Gottfried Semper. Published in 1851 , it is an attempt to explain the origins of architecture through the lens of anthropology . The book divides architecture into four distinct elements: the hearth, the roof, the enclosure and the mound. [ 1 ]
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
The literal meaning of the Latin phrase is closer to "durability, convenience, and beauty", but the more familiar version is derived from Henry Wotton's liberal translation of Vitruvius, "The Elements of Architecture" (1624): [1] "Well Building hath three Conditions; Commodity, Firmness, and Delight". [2]
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. [1]
Theism is broadly defined as the belief in the existence of at least one deity. [ 1 ] [ 2 ] In common parlance, or when contrasted with deism , the term often describes the philosophical conception of God that is found in classical theism —or the conception found in monotheism —or gods found in polytheistic religions—or a belief in God or ...
In a 'principles' approach to design theory, the De Stijl movement (founded in 1917) promoted a geometrical abstract, "ascetic" form of purism that was limited to functionality. This modernist attitude underpinned the Bauhaus movement (1919 onwards). Principles were drawn up for design that were applicable to all areas of modern aesthetics.