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"Emily" is a popular song composed by Johnny Mandel, with lyrics by Johnny Mercer. It was the title song to the 1964 film The Americanization of Emily . (The song wasn't sung in the movie, which is the reason that it couldn't be nominated for an Academy Award.)
It was the penultimate #1 single of the 1960s, and the song also spent three weeks atop the easy listening chart [10] and was used in commercials for United Airlines in the late 1960s and early 1970s. The song also topped the charts in Canada, and reached No. 2 in both the UK and Ireland in February 1970. In fact, it was the only version of the ...
"In Heaven (Lady in the Radiator Song)" (often referred to as simply "In Heaven") is a song performed by Peter Ivers, composed by Peter Ivers, with lyrics by David Lynch. The song is featured in Lynch's 1977 film Eraserhead , and was subsequently released on its 1982 soundtrack album .
White had written a number of songs that she worked on with her band for "basically a year and a half before we went and recorded". Compared to her debut, she described it as "more of an ambitious record". [16] The song "Liza" appeared on digital streaming platforms prior to the US release. [17] White's third album is entitled Ode to Sentience.
Softly, as I Leave You is a 1964 studio album by American singer Frank Sinatra. Arranged by Ernie Freeman , several tracks such as "Softly, as I Leave You", "Then Suddenly Love" and "Available" departed from Sinatra's signature vocal jazz style by flirting with a more contemporary pop sound.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Critic score: 13% In "Mother of the Bride," Lana (Brooke Sheilds) gets a real shock when her daughter (Miranda Cosgrove) returns from Thailand with an engagement ring.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.