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Science in science fiction is the study or of how science is portrayed in works of science fiction, including novels, stories, and films. It covers a large range of topics. Hard science fiction is based on engineering or the "hard" sciences (for example, physics, astronomy, or chemistry).
[3] [5] Black holes and associated wormholes thus quickly became commonplace in fiction; according to science fiction scholar Brian Stableford, writing in the 2006 work Science Fact and Science Fiction: An Encyclopedia, "wormholes became the most fashionable mode of interstellar travel in the last decades of the twentieth century".
Science fiction genre – while science fiction is a genre of fiction, a science fiction genre is a subgenre within science fiction. Science fiction may be divided along any number of overlapping axes. Gary K. Wolfe's Critical Terms for Science Fiction and Fantasy identifies over 30 subdivisions of science fiction, not including science fantasy ...
As science fiction entered popular culture, writers and fans active in the field came to associate the term with low-budget, low-tech "B-movies" and with low-quality pulp science fiction. [10] [11] [12] By the 1970s, critics within the field, such as Damon Knight and Terry Carr, were using "sci fi" to distinguish hack-work from serious science ...
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
The science fiction computer game Space Rogue featured the use of technologically harnessed wormholes called "Malir gates" as mechanisms for interstellar travel. Navigation through the space within wormholes was a part of gameplay and had its own perils.
Artificial intelligence is a recurrent theme in science fiction, whether utopian, emphasising the potential benefits, or dystopian, emphasising the dangers.. The notion of machines with human-like intelligence dates back at least to Samuel Butler's 1872 novel Erewhon.
Damien Broderick builds on this concept, separating Brooke-Rose's criticism of Tolkien and the specific exposition in Tolkien's work, from the megatext concept itself and introducing other comparable science fiction theories, such as the work of Gary K. Wolfe in The Known and the Unknown: The Iconography of Science Fiction (1979). The "mega ...