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Gothic châsse; 1185–1200; champlevé enamel over copper gilded; height: 17.7 cm (7.0 in), width: 17.4 cm (6.9 in), depth: 10.1 cm (4.0 in). Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F).
Casket, early 18th century, attributed to André-Charles Boulle, oak carcass veneered with tortoiseshell, gilt copper, pewter and ebony, in the Art Institute of Chicago Marquetry (also spelled as marqueterie ; from the French marqueter , to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns ...
The detachment of wall paintings involves the removal of a wall painting from the structure of which it formed part. While detachment was once a common practice, the preservation of art in situ is now preferred, and detachment is now largely restricted to cases where the only alternative is total loss. [ 1 ]
Primer reduces the number of paint coats needed for good coverage and even color. A thin layer of paint may still be permeable to water. Water can permeate into the wood and cause warping, mildew, or dry rot. Primer improves the waterproofing of the finish. [4] Primers are not used as part of a wood stain treatment because they obscure the wood ...
Color wash is a free-form finish that creates subtle variations of color using multiple hues of glaze blended together with a paint brush. Strié, from the French for "stripe" or "streak", is a glazing technique that creates soft thin streaks of color using a paint brush. It is a technique often used to simulate fabrics such as linen and denim.
Pewter (/ ˈ p juː t ər /) is a malleable metal alloy consisting of tin (85–99%), antimony (approximately 5–10%), copper (2%), bismuth, and sometimes silver. [1] In the past, it was an alloy of tin and lead , but most modern pewter, in order to prevent lead poisoning , is not made with lead.
Other gilding processes involved using the gold as pigment in paint: the artist ground the gold into a fine powder and mixed it with a binder such as gum arabic. The resulting gold paint, called shell gold, was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece ...
Harling is a rough-cast wall finish consisting of lime and aggregate, known for its rough texture. [1] Many castles and other buildings in Scotland and Ulster have walls finished with harling. It is also used on contemporary buildings, where it protects against the wet Scottish and Ulster climates and eliminates the need for paint.