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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Female evil spirits or malicious monsters in folklore, legends, and mythology. These monstrous women are often portrayed as predatory creatures, who are usually seen seducing male humans or snatching young children in order to kill, eat, or otherwise harm them.
The female demons, among whom Lilith is the best-known, are often said to have come from the primeval sea. In ancient Greek religion , female sea monsters that combine allure and deadliness may also derive from this tradition, including the Gorgons (who were daughters of the old sea god Phorcys ), sirens , harpies , and even water nymphs and ...
The Painted Skin, a tale from Pu SongLing, narrates a story of a yaoguai that collects and disguises itself in human skin "Painted Skin" Another theme is the ambivalent nature of beauty, which can mask great evil. This theme was the driving force behind Pu Song Ling's tale the "Painted Skin", as the author himself noted in a postscript:
The demon is a female oni (a kijo) named Momiji (Maple Leaves). The play " Momijigari " was created in the latter half of the Muromachi period , and it is widely believed that there was a legend that was originally used as a material (many legends of demons remain on Mt. Togakushi).
The Krasue (Thai: กระสือ, pronounced [krā.sɯ̌ː]) is a nocturnal female spirit of Southeast Asian folklore.It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck.
Yūrei often fall under the general umbrella term of obake, derived from the verb bakeru, meaning "to change"; thus obake are preternatural beings who have undergone some sort of change, from the natural realm to the supernatural. However, yūrei differ from traditional bakemono due to their temporal specificity.
He is said to create the mark by raking his claw across their flesh, licking the skin to produce a death skull pattern, or using a hot iron to produce a blue or red brand. The Devil was thought to mark the individual at the end of nocturnal initiation rites. [2] The witch's teat was a raised bump somewhere on a witch's body. It is often ...