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The statue is known for its realism and naturalism, which differed from most statuary commissioned at the time. [3] Zuccone is reported to have been Donatello's favorite, and he has been claimed to swear by the sculpture, "By the faith I place in my zuccone." [2] [4] Donatello is said to have shouted "speak, damn you, speak!" at the marble as ...
In 1443, Donatello was called to Padua by the heirs of the famous condottiere Erasmo da Narni (better known as the Gattamelata, or 'Honey-Cat'), who had died that year. Designing and planning his Equestrian Monument of Gattamelata probably began that year or the next, with the casting mostly done in 1447 or 1448, and the bronze work finished in ...
Baptism of Christ is a rectangular stiacciato marble relief of the Baptism of Christ, showing a crowd in the background, including a servant holding a towel to the left and an angel to the right.
In 1408, the Operai del Duomo commissioned the statue. [3] At the time, Donatello was twenty-two [4] and had been active in the workshop of Lorenzo Ghiberti. [5] Donatello's earliest known important commission, the marble David statue was to be placed on the tribune of the dome at one of the buttresses on the north side of Florence Cathedral. [6]
Donatello, the bronze David (1440s?), Bargello Florence, h.158 cm David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello , probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding ...
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
To facilitate the gilding, the bronze was cast in 11 parts. The base of the sculpture resembles a cushion, a naturalistic device first used by Donatello for his St. Mark in the Orsanmichele. Intended to function as a fountain, this statue sits on a triangular pedestal with holes for water to flow through. [4]
Saint John the Baptist is a painted wood statue of 1438 by the Florentine Italian Renaissance sculptor Donatello.It remains in its original site in the Frari Church in Campo del Friari in the San Polo district of Venice, Italy.