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Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (Morgan James Publishing, 2008) online. Adler, John. America's Most Influential Journalist and Premier Political Cartoonist: The Life, Times and Legacy of Thomas Nast (Harp Week Press, 2022). Barrett, Ross.
William Magear "Boss" Tweed [note 1] (April 3, 1823 – April 12, 1878) was an American politician most notable for being the political boss of Tammany Hall, the Democratic Party's political machine that played a major role in the politics of 19th-century New York City and State.
Nast's cartoons helped Cleveland become the first Democrat to be elected president since 1856. In the words of the artist's grandson, Thomas Nast St Hill, "it was generally conceded that Nast's support won Cleveland the small margin by which he was elected. In his last national political campaign, Nast had, in fact, 'made a president. ' " [13]
The largest and most notorious political machine was Tammany Hall in New York City, led by Democrat Boss Tweed. [86] A Group of Vultures Waiting for the Storm to "Blow Over" – "Let Us Prey," a cartoon denouncing the corruption of New York's Boss Tweed and other Tammany Hall figures, drawn in 1871 by Thomas Nast and published in Harper's Weekly
They made its "boss", notorious William M. "Boss" Tweed, a director of the Erie Railroad, and Tweed arranged favorable legislation. In 1869, Tweed and Gould became the subjects of critical political cartoons by Thomas Nast. Gould was the chief bondsman in October 1871 when Tweed was held on $1 million bail.
[74] [75] Few media outlets, except for The New York Times and Thomas Nast, the cartoonist from Harper's Weekly, pointed out Tweed's corruption. [75] The New York Times published several articles in July 1871, bringing attention to the exorbitant expenditures for materials in the courthouse, which had previously not been disclosed to the public.
Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (2008). Gocek, Fatma Muge. Political Cartoons in the Middle East: Cultural Representations in the Middle East (Princeton series on the Middle East) (1998) Heitzmann, William Ray. "The political cartoon as a teaching device".
Thomas Nast, in New York City, showed how realistic German drawing techniques could redefine American cartooning. [14] His 160 cartoons relentlessly pursued the criminal characteristic of the Tweed machine in New York City, and helped bring it down. Indeed, Tweed was arrested in Spain when police identified him from Nast's cartoons. [15]