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Federico del Sagrado Corazón de Jesús García Lorca [a] [b] (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish ...
British playwright Peter Straughan wrote a play (later adapted as a radio play) based on García Lorca's life, The Ghost of Federico Garcia Lorca Which Can Also Be Used as a Table. TVE broadcast a six-hour mini-series based on key episodes on García Lorca's life in 1987. British actor Nickolas Grace played the poet, although he was dubbed by a ...
García Lorca, Federico. 1970. Five Plays: Comedies and Tragi-Comedies.Trans. James Graham-Lujan and Richard L. O'Connell. London: Penguin. ISBN 0140181253.Includes: The Billy-Club Puppets, The Shoemaker's Prodigious Wife, The Love of Don Perlimplín and Belisa in the Garden, Doña Rosita, the Spinster, The Butterfly's Evil Spell.
The Romancero gitano (often translated into English as Gypsy Ballads) is a poetry collection by Spanish writer Federico García Lorca.First published in 1928, it is composed of eighteen romances with subjects like the night, death, the sky, and the moon.
The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico García Lorca. Commentators have often grouped it with Blood Wedding and Yerma as the Rural Trilogy. Garcia Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). [1]
Lorca's self-portrait for Poet in New York. Poet in New York (in Spanish, Poeta en Nueva York) is one of the most important works of Spanish author Federico García Lorca. It is a body of poems composed during the visit of the poet to Columbia University in New York in the years 1929/1930.
Blood Wedding (Spanish: Bodas de sangre) is a tragedy by Spanish dramatist Federico García Lorca.It was written in 1932 and first performed at Teatro Beatriz in Madrid in March 1933, then later that year in Buenos Aires, Argentina.
"The theme of the play", suggests Federico García Lorca, "is the passage of time" (which Lorca had developed in a different form in his experimental surrealist play When Five Years Pass in 1931). [2] Doña Rosita is a young woman who falls in love with a man who is called to South America to join his parents.