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Pages in category "Bertolt Brecht theories and techniques" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. C.
Alienation effect (acting techniques) (Bertolt Brecht theories and techniques) (film theory) (metafictional techniques) (theatre) Allais effect (fringe physics) Allee effect (biology) Ambiguity effect (cognitive biases) Anrep effect (cardiology) (medicine) Antenna effect (digital electronics) (electronic design automation)
This is a list of types of medical therapy, including forms of traditional medicine and alternative medicine. For psychotherapies and other behavioral and psychological intervention methods, see list of psychotherapies .
Counterstrain is a technique used in osteopathic medicine, osteopathy, physical therapy, massage therapy, and chiropractic to treat somatic dysfunction. [1] It is a system of diagnosis and treatment that uses tender points, which are produced by trauma, inflammation, postural strain, or disease, to identify structures to manipulate. [2]
Gestus ([ˈɡɛstʊs], from Latin meaning "gesture, attitude, carriage") [1] is an acting technique developed by the German theatre practitioner Bertold Brecht. It carries the sense of a combination of physical gestures and "gist" or attitude.
Muscle Energy Techniques (METs) describes a broad class of manual therapy techniques directed at improving musculoskeletal function or joint function, and improving pain. . METs are commonly used by manual therapists, physical therapists, occupational therapist, chiropractors, athletic trainers, osteopathic physicians, and massage therapists
'Not / But, or the "not…but" element, is an acting technique that forms part of the Brechtian approach to performance. In its simplest form, fixing the not/but element involves the actor preceding each thought that is expressed by their character in the dialogue or each action performed by their character in the scene with its dialectical opposite.
Set design for a production of Brecht's Mother Courage and Her Children, featuring a large scene-setting caption Polen ("Poland") above the stage. The distancing effect, also translated as alienation effect (German: Verfremdungseffekt or V-Effekt), is a concept in performing arts credited to German playwright Bertolt Brecht.