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A specialist on the subject, Sivaprasad Bhattacharya, considered Shringara-Prakasha as the most "detailed and provocative" discourse on rasa. [3] According to P.V. Kane, Shringara-Prakasha can be considered as an encyclopaedia of various branches in Sanskrit literature such as Darsanas, poetry, and dramaturgy, written extensively by quoting numerous works which existed in that period. [4]
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Koyaanisqatsi runs for 86 minutes and comprises a montage of visuals accompanied by a minimal music score, without narration or dialogue. It opens with an ancient cave painting, followed by a close-up of a rocket launch, while a deep bass voice chants the film's title.
Taran Adarsh of Bollywood Hungama opined that "On the whole, OUT OF CONTROL is a decent entertainer that will attract cinegoers in good numbers initially". [1] A critic from Rediff.com said that "The film reeks of that 'been there, done that' feeling". [2]
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
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The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]