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The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Insects and pests can destroy woodblock prints by eating through the paper or leaving droppings that stain the paper. A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on ...
A bound album in ōban tate-e format was conceived and assembled by the publisher, Matsuki Heikichi, under the title of "Kyōdō risshiki" [Self-made Men Worthy of Emulation/Exemplars of Learning and Achievement] containing 50 prints (though 53 are known) by various artists [28] including Chikanobu who produced two of the images: #16 Hagaku and ...
Goyō Hashiguchi (橋口 五葉, Hashiguchi Goyō, December 21, 1880 – February 24, 1921) was a Japanese artist. At the forefront of the shin-hanga ("new prints") movement, a revival of ukiyo-e, he designed fourteen woodblock prints which are regarded as masterpieces of the genre.
Bokashi (Japanese: ぼかし) is a technique used in Japanese woodblock printmaking. It achieves a variation in lightness and darkness ( value ) of a single color or multiple colors by hand applying a gradation of ink to a moistened wooden printing block, rather than inking the block uniformly.
It holds over 100,000 Japanese woodblock prints, regarded as the world's largest collection of this form of art. [ 2 ] The Japan Ukiyo-e Museum was established in 1982 by Tokichi Sakai, a member of the Sakai merchant family, who have practiced business in Matsumoto for generations. [ 3 ]