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Mhande dance is a spiritual manifestation of Karanga culture, embodying an "embodied practice." [12] Its purpose is to convey cultural knowledge that might be less accessible through conventional means. Combining singing, instrument playing, and dance movements, Mhande informally imparts indigenous spiritual wisdom (chikaranga). [12]
The last major function before the wedding is decoration with temporary henna ().This is often blended with the sangeet ceremony. Mehndi artists are called to the houses of the boy and girl and apply mehendi to the palms of the female family members, groom and the hands and feet of the bride.
This dance also reflects the agricultural aspect of life, and such props reflecting these themes may also be used. The Dinhe dance uses different songs to accompany the dance, and the mood of the song indicates which spirits trying to be conjured. The Mhande dance is performed by the midlands tribes and traditional is very important to the dance.
The origin of "mehndi" is from the Sanskrit word "mendhika," which refers to the henna plant that releases a red dye. [5] According to A Dictionary of Urdu, Classical Hindi and English, mehndi also refers to "the marriage-feast on the occasion of the bride's hands and feet being stained with henna."
Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
The term is commonly used within Indian films (Telugu, Tamil, Hindi, Kannada, Punjabi, and Bengali cinema) to describe a catchy, upbeat, often provocative dance sequence for a song performed in a movie. [1] The main aim of an item number is to entertain movie-goers and to lend support to the marketability of the film by being featured in ...
They contributed significantly to the continuation of traditional dance and music forms. [6] The tawaifs excelled in and contributed to music, dance , theatre, and the Urdu literary tradition, [7] and were considered an authority on etiquette. Indian writer and scholar Pran Nevile said: “The word ‘tawaif’ deserves respect, not disdain. A ...
After dancing at a holy site on the first day of Dusshera, Jhijhiya formally begins. After the formal beginning of the Jhijhiya dance, there is a tradition of going from house to house and showing the dance. The dancers then ask the owner of the house for grains and food for the offering on the final day.