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The following is a sample from the cento Sacra Aeneis (1618), by Etienne de Pleure, on the adoration of the Magi.The lines of Vergil used, from his Aeneid and Georgics, are indicated on the left (e.g. 6.255 points to book 6, line 255); or, if changed in the middle of a line, an asterisk separates the new quotation with its source indicated on the right.
A semicolon tattoo on the forearm designed as a butterfly with fingerprint wings, symbolizing uniqueness, resilience, and transformation. Image credits: @drea.anne.ink
Cento Vergilianus de laudibus Christi (Latin: [ˈkɛntoː wɛrɡɪlɪˈaːnʊs deː ˈlau̯dɪbʊs ˈkʰriːstiː]; A Virgilian Cento Concerning the Glory of Christ) [nb 1] is a Latin poem arranged by Faltonia Betitia Proba (c. AD 352–384) after her conversion to Christianity.
Some poets chose to write poems specifically for children, often to teach moral lessons. Many poems from that era, like "Toiling Farmers", are still taught to children today. [3] In Europe, written poetry was uncommon before the invention of the printing press. [4] Most children's poetry was still passed down through the oral tradition.
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The first poem, now lost, is called Constantini bellum adversus Magnentium (The War of Constantine against Magnentius) by the Codex Mutinensis.It dealt with the war between Roman Emperor Constantius II and the usurper Magnentius.
Stephen Lovekin/Shutterstock The bright side. Dolly Parton has somewhat of a thing for butterflies. They’re on her Scent From Above perfume bottle, in the titles of her songs and, apparently, on ...
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