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Suprabhatam (Sanskrit: सुप्रभातम्, romanized: Suprabhātam, lit. 'auspicious dawn') [ 1 ] is a Sanskrit prayer [ 2 ] [ 3 ] of the Suprabhātakāvya genre. It is a collection of hymns or verses recited early morning to awaken the deity in Hinduism .
Prathivadhi Bhayankaram Aṇṇan was a Sri Vaishnava acharya, Tamil and Sanskrit scholar, and the composer of the popular Venkateswara Suprabhatam.Born Hasthigirinathar Aṇṇan in the year 1361, he was one of the prominent disciples of Kumara Nayanacharyas, belonged to a distinguished line of "Acharya Puruṣas", amassing followers.
The Venkateswara Suprabhatam is the first and pre-dawn prayer performed to Venkateswara at Sayana Mandapam, within the inner sanctum of the Tirumala Temple. 'Suprabhatam' is a Sanskrit term, which literally means 'morning salutations', and is meant to wake up the deity from his celestial sleep.
Venkateswara Suprabhatam is the first and pre-dawn seva performed to Venkateswara at Sayana Mandapam inside sanctum sanctorum of Tirumala Temple. 'Suprabhatam' is a Sanskrit term which literally means 'Good Morning' and is meant to wake up the deity from His celestial sleep.
Her many famous renditions of bhajans include the chanting of Meenakshi Pancharatnam, Bhaja Govindam, Vishnu sahasranama (1000 names of Vishnu), Hari Tuma Haro and the Venkateswara Suprabhatam (musical hymns to awaken Lord Balaji early in the morning). She was widely honoured, praised and awarded. Some of the popular ones include: [15]
There are 14 songs and poems. The lyrics are written by C. Narayana Reddy and Veeturi. Music score provided by T. V. Raju. [1] "Ade Neevantivi Ade Nevintini Gunde Alalaga Chelarega (Lyrics: C. Narayana Reddy; Singers: Ghantasala and P. Susheela; Cast: Kanta Rao and Rajasri) "Om Namo Vedantavedyala Meghasyamala" (Venkateswara Suprabhatam)
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O Rāma, the noble son of Kausalyā! The Sandhyā of the morning commences. O the lion amongst men! Arise, the Vedic daily tasks are to be performed. ॥ 1.23.2 ॥. The poet mentions the popularity of Veṅkaṭeśasuprabhātam for Veṅkaṭeśvara, and says that hitherto there was no extensive Suprabhātakāvya in praise of Rāma, which coupled with his stay at Tirupati, prompted him to ...