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Rebecca is a 1938 Gothic novel by the English author Daphne du Maurier.It depicts an unnamed young woman who impetuously marries a wealthy widower, before discovering that both he and his household are haunted by the memory of his late first wife, the title character.
The book is narrated in the first person in the style of du Maurier; however, unlike the original book, the narrator changes with each of the four sections. Part 1 is told from the perspective of the septuagenarian Colonel Julyan, who had led the initial inquests into Rebecca's death. Part 2 is told by Terence Gray, an original character, whose ...
It was the first novel du Maurier wrote while living at Menabilly, the setting for an earlier novel Rebecca, where it is called 'Manderley'. [1] [2] The writing of the novel was accompanied by prolific research, in which du Maurier was assisted by Oenone Rashleigh, whose family owned Menabilly, and historian A. L. Rowse, to ensure the historical accuracy of her presentation of the Devon ...
Daphne du Maurier was born at 24 Cumberland Terrace, Regent's Park, London, the middle of three daughters of prominent actor-manager Sir Gerald du Maurier and actress Muriel Beaumont. [3] Her paternal grandfather was author and Punch cartoonist George du Maurier , who created the character of Svengali in the 1894 novel Trilby .
Pages in category "Novels by Daphne du Maurier" The following 14 pages are in this category, out of 14 total. ... Rebecca (novel) Rule Britannia (novel) S.
In addition it casts the same characters all over again without the narration being intense and engaging enough. "Throughout the media jamboree attending this sequel, Rebecca's remaining lovers will feel like Mrs Danvers – dour, uncomprehending, and dismissive of the newcomer's ineffective attempts to please". [3]
My Cousin Rachel is a Gothic novel written by English author Daphne du Maurier, published in 1951.Bearing thematic similarities to her earlier and more famous novel Rebecca, it is a mystery-romance, set primarily on a large estate in Cornwall.
Kirkus Reviews began "A haunting series of stories, in most cases putting it up to the reader to interpret the final outcome – in all cases using the device of the moment in life when emotion or reason reaches the point of tension beyond which something snaps", and finished with "In this collection...Daphne du Maurier's peerless craftmanship, her eerie sense of the macabre, her gift for ...