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Classical music of the Soviet Union developed from the music of the Russian Empire. It gradually evolved from the experiments of the revolutionary era, such as orchestras with no conductors, towards classicism favored under Joseph Stalin's office. The music patriarchs of the era were Sergei Prokofiev, Dmitri Shostakovich and Aram Khachaturian.
Rock music played a role in subverting the political order of the Soviet Union and its satellites. The attraction of the unique form of music weakened Soviet authority by humanizing the West, helped alienate a generation from the political system, and sparked a youth revolution. This contribution was achieved not only through the use of words ...
The Lacy-Zarubin Agreement, also known as the Agreement Between the United States of America and the Union of Soviet Socialist Republics on Exchanges in Cultural, Technical, and Educational Fields, [1] was a bilateral agreement between the United States and the Soviet Union on various fields including film, dance, music, tourism, technology, science, medicine, and scholarly research exchange.
The concert was put together by the Make a Difference Foundation, its founder, rock producer and manager Doc McGhee, Stas Namin [17] [18] and other major players in the Soviet Union and the United States. It is often stated that McGhee agreed to bring his artists to Moscow after becoming involved in a drug scandal himself and wishing to avoid a ...
Classical music in the Soviet Union (3 C, 1 P) F. Music festivals in the Soviet Union (1 C, 3 P) Soviet musical films (7 C, 28 P) Films scored by Soviet composers (29 ...
The Khrushchev Thaw (Russian: хрущёвская о́ттепель, romanized: khrushchovskaya ottepel, IPA: [xrʊˈɕːɵfskəjə ˈotʲːɪpʲɪlʲ] or simply ottepel) [1] is the period from the mid-1950s to the mid-1960s when repression and censorship in the Soviet Union were relaxed due to Nikita Khrushchev's policies of de-Stalinization [2] and peaceful coexistence with other nations.
The Transformers (TV series), including the fact that the two first seasons take place during the latter years of the Cold War, an episode, Prime Target directly refers to an event of the episode as The highest point of tension between United States and Soviet Union, since the Cuban Missile Crisis.
The Ministry was led by the Minister of Culture, prior to 1953 a chairman, who was nominated by the Chairman of the Council of Ministers and confirmed by the Presidium of the Supreme Soviet, and was a member of the Council of Ministers of the USSR. It was responsible for the cultural affairs and activities within the Soviet Union.