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Psalm 66 is the 66th psalm of the Book of Psalms, beginning in English in the King James Version: "Make a joyful noise unto God, all ye lands". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate , this psalm is Psalm 65 .
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
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The laments of the people are voiced here and their promise to sing the praises of God at all times is established. This Psalm is labeled as a song or psalm to the leader, [7] interpreted as the chief musician [10] or leader of the community. [5] The leader ends the psalm with a statement about the wicked being humbled and the righteous being ...
[Psalm 107:22 ESV] And let them offer sacrifices of thanksgiving, and tell of his deeds in songs of joy! 3. The works and deeds of the Lord Jesus are most fully revealed in the New Testament. 4. The Psalms command new songs (Psalms 33:3, Psalms 40:3, Psalms 96:1, Psalms 98:1, Psalms 144:9, Psalms 149:1).
Psalm 21 ("The king shall joy in thy strength, O LORD; and in thy salvation how greatly shall he rejoice!") Psalm 45 ("My heart is inditing a good matter: I speak of the things which I have made touching the king: my tongue is the pen of a ready writer.") Psalm 72 ("Give the king thy judgments, O God, and thy righteousness unto the king's son.")
Psalmen Davids (Psalms of David) is a collection of sacred choral music, settings mostly of psalms in German by Heinrich Schütz, who had studied the Venetian polychoral style with Giovanni Gabrieli. Book 1 was printed in Dresden in 1619 as his Opus 2.
Werner writes that "unique in the history of music is the firm belief in the purifying and sin-atoning power of the Temple's music, ascribed to both chant and instruments." [9] The music had to be free from blemish or fault, and avoided magical elements. Even the High Priest's garment had symbolism: (Exod. 28:34–35): "a golden bell and a ...