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Wings of Love was immortalized on the wall of Stan and Hilda Ogden's house in Coronation Street [12] and the painting also achieved cult status through its appearance in the 1977 film of Mike Leigh's play Abigail's Party, [13] In the film, the painting provokes a heated debate on the nature of "erotic art"; this culminates in Beverly Moss's ...
Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist associated with the pop art movement. Indiana is mostly known for his iconic image LOVE which was first created in 1964 in the form of a card.
He has also authored or been featured in several art-related books, including A Season for Painting: The Outdoor Paintings of Robert K. Abbett and Wings from Cover: The Upland Images of Robert Abbett and Ed Gray. Abbett was a graduate of both the University of Missouri and Purdue University.
Wings of Love, a c. 1972 painting by Stephen Pearson; Bana Sevmeyi Anlat (English: Wings of Love), a Turkish television series "Wings of Love", a 1929–1930 series of Hearst Sunday newspaper magazine covers by Russell Patterson
The image LOVE was first created in 1964 in the form of a card which Robert Indiana sent to several friends and acquaintances in the art world. In 1965, he was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. [1] Indiana submitted several 12” square oil on canvas variations based on his LOVE ...
In May of that year the work was sold to the art dealership Tooth and Sons and renamed Première rêverie. That August the dealership sold the painting to a person named Groves. [4] The painting was later gifted to the New Orleans Museum of Art by Mr. and Mrs. Chapman H. Hyams; the museum's catalogue lists it as Whisperings of Love. [5]
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LOVE is an artwork by American pop artist Robert Indiana (1928–2018), located at the Indianapolis Museum of Art at Newfields in Indianapolis, Indiana, United States.It was created in 1970 as the first sculptural form of the artist's 1965 LOVE painting and has been on continuous exhibition at the Indianapolis Museum of Art since it was acquired in 1975.