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The poem is written as a set of seven rhyming couplets. What is this life if, full of care, We have no time to stand and stare. No time to stand beneath the boughs And stare as long as sheep or cows. No time to see, when woods we pass, Where squirrels hide their nuts in grass. No time to see, in broad daylight, Streams full of stars, like skies ...
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
At the time it was written, Harkins was a bakery worker and aspiring artist living in Carlisle, Cumbria. [1] Writing in the Daily Mail in 2003, he said: [2] I was 23 when I first met Anne Lloyd, my inspiration for the poem I called 'Remember Me'. She was 16 and didn't know me, but I had seen her about and knocked on her door one evening in ...
The poem that gave Carson solace is titled “Do Not Stand At My Grave And Weep.” It describes how a person may have passed on, but there's still signs of their spirit every day in "the sun on ...
Opening his poem with verse by Pablo Neruda, Patten's poem argues that it is the act of remembrance which offers family members the best antidote to the anguish of loss. In tackling the subject of grief, Patten views poetry as performing an important social function: "Poetry helps us understand what we’ve forgotten to remember.
Whitman included the poem as part of a quickly written sequel to a collection of poems addressing the war that was being printed at the time of Lincoln's death. These poems, collected under the titles Drum-Taps and Sequel to Drum-Taps, range in emotional context from "excitement to woe, from distant observation to engagement, from belief to ...
The emotional trauma of miscarriage is often overlooked when it comes to hopeful fathers, and writer Frederick Joseph wants to change that.
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.