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"Forever" is a song by Canadian rapper Drake, and American rappers Kanye West, Lil Wayne, and Eminem. Written alongside producer Boi-1da, the song was originally released on August 27, 2009, as the third single from the soundtrack to LeBron James's More than a Game documentary, and was placed on the Refill re-release of Eminem's album Relapse (2009).
O all ye Works of the Lord, bless ye the Lord : praise him, and magnify him for ever. O ye Angels of the Lord, bless ye the Lord : praise him, and magnify him for ever. O ye Heavens, bless ye the Lord : praise him, and magnify him for ever. O ye Waters that be above the Firmament, bless ye the Lord : praise him, and magnify him for ever.
A musical motif referencing the first line of "Come, Come Ye Saints" is used at the end of official broadcasts and videos released by the Church of Jesus Christ of Latter-day Saints. The hymn also appears in a Protestant hymnal, the United Church of Christ 's New Century Hymnal , with alternate lyrics for the LDS-oriented third verse written by ...
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[1] [2] [3] In March 1858, Tyng gave a sermon at a YMCA meeting of over 5,000 men on Exodus 10:11, "Go now ye that are men, and serve the Lord", converting over 1,000 men listening in the crowd. [3] [4] The following month, Tyng was maimed in a farming accident. Before he died a few days after the accident he told his father "Tell my brethren ...
The song was used in the trailer and soundtrack for the 2022 film Father Stu. [10] A parody version of the song was featured in the 2024 TV special South Park: The End of Obesity referencing the 2004 remake of Dawn of the Dead sung by Trey Parker. The song was used in the second trailer of the 2024 Sony's Spider-Man Universe (SSU) film Kraven ...
The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]
The song is featured on their 1970 album, Share the Land. [1] The producer was Jack Richardson and the arrangement was by The Guess Who. [2] On the 8-track tape edition of Share the Land, the song was edited to make it a bit longer in order to fill out the timing on the first channel (a few extra measures appear before each verse).