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Attention was brought to SongMeanings in July 2007 when it was used to discuss what Tyondai Braxton meant in his underground song "Atlas". [9] However, one of the most hotly debated songs is the Eagles' "Hotel California" with thousands of users weighing in on the true meaning of the song; leading theories include addiction and a secret message ...
"The One for You" is a song written by Swedish guitarist Danne Larsson and recorded by his group Tages in 1965. Following an intensive tour of the Sweden, while also previously having composed songs for the band, Larsson wrote the song inspired by their trip to London, allegedly about a girl he had met there.
The Billboard Hot 100 is a singles chart published by Billboard that measures the most popular singles in the United States, based on sales (physical and digital), online streaming, and radio airplay.
Going for the One is the eighth studio album by English progressive rock band Yes, released on 15 July 1977 by Atlantic Records.After taking a break in activity in 1975 for each member to release a solo album, and their 1976 tour of the United States and Canada, the band relocated to Montreux, Switzerland to record their next studio album.
"The One" is the title track and first single released from English musician Elton John's 1992 album of the same name. On bonus footage for the DVD release of his concert Live in Barcelona, John states that he felt an intense connection to Bernie Taupin's lyrics for the song, in light of his personal circumstances around the time of making the album, in particular the line "for each man in his ...
"This One's for You" is the title track from the 1976 album by Barry Manilow with words and music by Manilow and Marty Panzer. The song peaked at number 29 on the Billboard Hot 100 , and at number one on the Easy Listening chart, reaching the top position for one week in November 1976, Manilow's fifth number one overall on that chart.
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One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times [2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length.