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The bascule is the horse's arc over the fence. A horse with a good bascule makes a rounded jump and helps the horse jump higher. The forelegs are drawn up towards the body and the hindlegs are "retroflexed" out away from the body to clear the obstacle. During flight, the rider has little impact on the actual trajectory of the horse's body.
The horse is asked to enter the pesade or levade from the piaffe, which asks the horse to increasingly engage its hindquarters, lowering them toward the ground and bringing the hind legs more toward its center of gravity. This gives the viewer the impression that the horse appears to sink down in back and rise in front.
The front and hind legs on one side of the horse appear to land in front of the other set of front and hind legs when the horse travels. On a curve, a horse is generally asked to lead with the inside legs, though there are exceptions to the general rule, such as the counter canter. [1]: 126 See also lead change. 2.
The path this horse takes through the air is an arc. Bascule / ˈ b æ s k juː l / is the natural round arc a horse's body takes as it goes over a jump. The horse should rise up through its back, stretching its neck forward and down, when it reaches the peak of his jump. Ideally, the withers are the highest point over the fence.
An example of a rider in jumping position. The jumping position is a position used by equestrians when jumping over an obstacle, involving a combination of both a "forward seat" and "2 point" position. [1] [2] A rider in jumping position has their body centered over the horse's center of gravity and the saddle.
This type is not often used, as it can cause an optical illusion for the horse. It is forbidden by the FEI because of the danger for the horse. Parallel: both the top front and back rail are even, but the jump is higher than it is wide. Square: a type of parallel oxer, where the jump's height is the same as its width. This is the hardest type ...
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Voltaire's offspring were generally late-maturing, not showing their jumping abilities until the age of five or six after correct riding had helped to develop it. According to Jacques Verkerk of the KWPN: "Voltaire produces roughly two types of horse; rather square exteriors with an articulate top-line or big rectangular horses with a lot of bone."