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"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. [ 1 ] The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics.
Renewed interest in Johnson's work and life led to a burst of scholarship starting in the 1960s. Much of what is known about him was reconstructed by researchers such as Gayle Dean Wardlow and Bruce Conforth, especially in their 2019 award-winning biography [3] of Johnson: Up Jumped the Devil: The Real Life of Robert Johnson (Chicago Review Press).
Blackwell also made solo recordings for Vocalion, including "Kokomo Blues", which was transformed into "Old Kokomo Blues" by Kokomo Arnold and later reworked as "Sweet Home Chicago" by Robert Johnson. Blackwell and Carr toured throughout the American Midwest and South between 1928 and 1935 as stars of the blues circuit, recording over 100 sides ...
"Sweet Chicago" – The Original Caste "Sweet Home Chicago", 1937 – composer: Robert Johnson; lyricists: Robert Johnson & Roosevelt Sykes, Blues Brothers "Sweet Spots" – The Fiery Furnaces "Swing Life Away" – Rise Against from Siren Song of the Counter Culture, 2005 "Switchboard" – Kid Sister
While Robert Johnson's professional recording career can be measured in months, his musical legacy has survived more than 70 years. Muddy Waters and Howlin' Wolf, the two most prominent Chicago bluesmen of the 1950s, both had their roots in the Delta: Muddy was influenced by Johnson's records, [20] and Wolf worked with Johnson around the Delta ...
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Catherine Zeta-Jones appeared to be feeling nostalgic recently, as she shared a rare baby photo of her son Dylan, 24, from time spent on the set of the hit film Chicago in 2001.. The actress ...
Label of Johnson's "Terraplane Blues" on Vocalion Records, his first and most successful single. American blues musician Robert Johnson (1911–1938) recorded 29 songs during his brief career. A total of 59 performances, including alternate takes, were recorded over a period of five days at two makeshift recording studios in Texas.