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The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
Boss HM-2 with maximum settings (colloquially referred to as being "dimed"). These settings became well known in the Swedish death metal scene to achieve the "Chainsaw" tone. Leif Cuzner of Swedish death metal band Nihilist used the pedal with the controls "dimed," and bands like Entombed, Dismember, and Bloodbath followed suit.
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One of the reasons bassists split their signal into a bass amp and an electric guitar amp is because this arrangement enables them to overdrive the higher-register sound from the electric guitar amp, while retaining the deep bass tone from the bass amp. Naturally-produced overdrive on bass obtained by cranking a tube amplifier or solid-state ...
The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [ 1 ] it has become a classic effect, used by many notable guitar players.
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The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.