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The Arnolfini Portrait, oil on oak, 1434. National Gallery, London. Jan van Eyck (/ v æ n ˈ aɪ k / van EYEK; Dutch: [ˈjɑɱ vɑn ˈɛik]; c. before 1390 – 9 July 1441) was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
Museum Boijmans Van Beuningen, Rotterdam 71.5 cm x 90 cm Now usually attributed to Hubert van Eyck: The Fountain of Life: c. 1432 Museo del Prado, Madrid 181 cm c 119 cm Usually attributed to the workshop of Van Eyck Portrait of a Man with Carnation: c. 1436 Gemäldegalerie, Berlin 40 cm x 31 cm Attributed to Van Eyck or a member of his workshop
Until Hans Belting and Dagmar Eichberger's 1983 Jan van Eyck als Erzähler, academics tended to focus exclusively on the diptych's dating and attribution, with little attention paid to its source influences and iconography. [18] Borchert estimates a completion of c. 1440, while Paul Durrieu suggests a dating as early as 1413. [2]
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
The Annunciation is an oil painting by the Early Netherlandish master Jan van Eyck, from around 1434–1436.The panel is housed in the National Gallery of Art in Washington, D.C.
Van Eyck signed, dated and added his motto to the central panel, a fact only discovered when the frame was removed in the course of a mid-20th century restoration, [3] and confirmed with the 1959 discovery of the signature which is placed along with the words IOHANNIS DE EYCK ME FECIT ET C[OM]PLEVIT ANNO D[OMINI] MCCCCXXXVII.ALC IXH XAN ("Jan ...
Jan van Eyck, Madonna in the Church (c. 1438–1440). Oil on oak panel, 31 cm × 14 cm (12 in × 5.5 in). Gemäldegalerie, Berlin. Madonna in the Church (or The Virgin in the Church) is a small oil panel by the early Netherlandish painter Jan van Eyck.
The Just Judges, also called The Righteous Judges, is the lower left panel of the Ghent Altarpiece, painted by Jan van Eyck or his brother Hubert Van Eyck between 1430 and 1432. It is believed that the panel shows portraits of several contemporary figures such as Philip the Good, and possibly the artists Hubert and Jan van Eyck themselves. The ...