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The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the ...
Tommy (soundtrack) This page was last edited on 20 May 2018, at 18:11 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
Tommy is a 1975 British psychedelic musical fantasy drama film written and directed by Ken Russell.It was based on the Who's 1969 album of the same name, a rock opera about a "psychosomatically deaf, mute, and blind" boy who becomes a pinball champion and religious leader. [5]
The discography of the English rock band the Who consists of 12 studio albums, 18 live albums, four soundtrack albums, 36 compilation albums, four extended plays, 58 singles and 25 video albums.
Tommy: 1975 [22] "Christmas" Townshend Daltrey Townshend Tommy: 1969 [1] "C'mon Everybody" (cover, live) Eddie Cochran Jerry Capehart: Daltrey Live at the Fillmore East 1968: 2018 [26] "Cobwebs and Strange" Moon Instrumental A Quick One: 1966 [9] "Cooks County" Townshend Daltrey Townshend It's Hard: 1982 [8] "Cousin Kevin" Entwistle Entwistle ...
Tommy and Quadrophenia Live is a 3-disc DVD box set that includes performances by The Who from their 1989 (the Tommy portion) and 1996-1997 tours (the Quadrophenia portion). Whilst the Tommy part of the set had been already released on VHS , material from the Quadrophenia Tour had not been commercially available previously.
The track is one of three instrumental tracks on Tommy, the other two being "Underture" and "Sparks". On 9 October 1970, the song was included as the B-side of "See Me, Feel Me" – which did not chart – and was titled "Overture from Tommy".
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time. It is composed in the key of G Major with Roger Daltrey's vocal range spanning from G 3 to A 4. [4] The song makes repeated use of suspended fourth chords that resolve to triads.