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The Imperial Seal of Japan or National Seal of Japan, also called the Chrysanthemum Seal (菊紋, kikumon), Chrysanthemum Flower Seal (菊花紋, 菊花紋章, kikukamon, kikukamonshō) or Imperial chrysanthemum emblem (菊の御紋, kikunogomon), is the mon used by the Emperor of Japan and members of the Imperial Family.
Large scale paintings were commissioned to adorn the castles and palaces of the military rulers. The Kanō school, patronized by the ruling class, was the most influential school of the period and, with 300 years of dominance, endured for the longest period in the history of Japanese painting.
In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. [1] [2] The term compares the four plants to Confucian junzi, or "gentlemen".
Drawing of a chrysanthemum show (from "Sketches of Japanese Manners and Customs", by J. M. W. Silver, 1867) Chrysanthemums first arrived in Japan by way of China in the 5th century. By the Heian period, the flower was cultivated throughout Japan. It represented the noble class and the season of autumn, and the Japanese even had a Chrysanthemum ...
Kōdai-ji Maki-e Sake Ewer with Chrysanthemums and Paulownia Crests in alternating fields, early 17th century, Azuchi–Momoyama period, Metropolitan Museum of Art. Before the Chrysanthemum Seal was used extensively, the Paulownia Seal originally was the private symbol of the Japanese Imperial Family, from as early as the sixteenth century.
Chō Kōran (張 紅蘭, 1804–1879) was a Japanese poet and artist, known for her study of Chinese arts and specialization in bunjinga ink paintings. She traveled extensively across Japan with her husband, fellow poet Yanagawa Seigan , and her poetry and artwork was published in several volumes. Later in life, she founded a private school and ...
Red and White Plum Blossoms (紙本金地著色紅白梅図 shihonkinjichakushoku kōhakubaizu) is an early 18th-century painting on a pair of two-panel byōbu folding screens by Japanese artist Ogata Kōrin (1658–1716). [1] The simple, stylized composition depicts a patterned flowing river with a white plum tree on the left and a red one on ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".