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The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
Christ and the Canaanite Woman (1594-1595) by Annibale Carracci Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci , now in the Pinacoteca Stuard in Parma . The work was mentioned by Carlo Cesare Malvasia , who, in Felsina Pittrice , called it "the famous Canaanite Woman .
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...
Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. It was painted c. 1618–1620, and is in The Hermitage Museum, St. Petersburg. [1] The painting depicts an incident from Luke 7 where Jesus visits Simon the Pharisee, and has his feet anointed by a "sinful woman".
For paintings of a considerable size, such as Christ and the Woman Taken in Adultery, wooden shafts of up to 10 metres in length were constructed, on which the paintings were wound. The restoration artists were meticulous in their approach, ensuring that the paint layer was not wrinkled, as this could potentially cause damage.
The Wedding at Cana (Italian: Nozze di Cana, 1562–1563), by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine (John 2:1–11).
The Archbishop of Canterbury anointed Camilla, 75, with holy oil during their historical royal event on Saturday, May 6, at Westminster Abbey after Charles, 74, took his royal oath as the new king.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...