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Moiré patterns are commonly seen on television screens when a person is wearing a shirt or jacket of a particular weave or pattern, such as a houndstooth jacket. This is due to interlaced scanning in televisions and non-film cameras, referred to as interline twitter. As the person moves about, the moiré pattern is quite noticeable.
Another common subject of African masks is a woman's face, usually based on a specific culture's ideal of feminine beauty. Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17]
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While the classic use of the facial composite is the citizen recognizing the face as an acquaintance, there are other ways where a facial composite can prove useful. The facial composite can contribute in law enforcement in a number of ways: Identifying the suspect in a wanted poster. Additional evidence against a suspect. [citation needed]
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
The actor can pull down a mask which has previously been hidden on top of their head, changing their face to red, green, blue or black to express happiness, hate, anger or sadness, respectively. Face-dragging (Chinese: 抹臉) The actor drags greasepaint hidden in their sideburns or eyebrows across their face to change their appearance. [8] [9]
A tadpole person [1] [2] [3] or headfooter [4] [5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more realistic depictions such as stick figures.