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Charles Edward Ives (/ aɪ v z /; October 20, 1874 – May 19, 1954) was an American modernist composer, actuary and businessman. [1] Ives was among the earliest renowned American composers to achieve recognition on a global scale. [2] His music was largely ignored during his early career, and many of his works went unperformed for many years.
The earliest significant use of music indeterminacy features is found in many of the compositions of American composer Charles Ives in the early 20th century. Henry Cowell adopted Ives's ideas during the 1930s, in such works as the Mosaic Quartet (String Quartet No. 3, 1934), which allows the players to arrange the fragments of music in a number of different possible sequences.
Acid Mothers Temple – Experimental psychedelic rock; Arca – (Venezuela) Experimental, Electronic music; Aphex Twin - IDM, experimental, ambient, glitch; Anaiis – (French) (Senegal) Experimental musician; Miguel Álvarez-Fernández – experimental radio and sound installations; Giulio Aldinucci – experimental electroacoustic composer
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This is a list of composers by name, alphabetically sorted by surname, then by other names.The list of composers is by no means complete. It is not limited by classifications such as genre or time period; however, it includes only music composers of significant fame, notability or importance who also have current Wikipedia articles.
The composer in 1913. Ives composed The Unanswered Question, subtitled "(a Cosmic Landscape)" in Ives's work papers, [12] in 1908 (though it is often erroneously dated 1906), [1] and revised it in 1930–1935, at which time he included a 13-bar introduction, made the woodwind parts more dissonant, and added further dynamic and articulation indications. [13]
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. [1] Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. [2]