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The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". [1] By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Duchamp was not interested in what he called "retinal art ...
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
The art of painter and engraver Émile Frédéric Nicolle, his maternal grandfather, filled the house, and the family liked to play chess, read books, paint, and make music together. Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists. Marcel Duchamp was the brother of:
L.H.O.O.Q. (French pronunciation: [ɛl aʃ o o ky]) is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made. [2] The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by ...
The French artist Marcel Duchamp paved the way for the conceptualists, providing them with examples of prototypically conceptual works — the readymades, for instance.The most famous of Duchamp's readymades was Fountain (1917), a standard urinal-basin signed by the artist with the pseudonym "R.Mutt", and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent ...
Belle Haleine, Eau de Voilette (Beautiful Breath, Veil Water) is a work of art by Marcel Duchamp, with the assistance of Man Ray. First conceived in 1920, created spring of 1921, Belle Haleine is one of the Readymades of Marcel Duchamp, or more specifically a rectified ready-made. [1][2] A photograph of the object, by Man Ray, was reproduced on ...
Philadelphia Museum of Art, Philadelphia. The Bride Stripped Bare by Her Bachelors, Even (in French : La mariée mise à nu par ses célibataires, même), most often called The Large Glass (in French : Le Grand Verre), is an artwork by Marcel Duchamp over 9 feet (2.7 m) tall and almost 6 feet (1.76m) wide. Duchamp worked on the piece from 1915 ...
Yale University Art Gallery, New Haven, Connecticut, United States. In Advance of the Broken Arm, also called Prelude to a Broken Arm, is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. One explanation for the title is that without the shovel to remove ...