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The Orff Approach of music education uses very rudimentary forms of everyday activity for the purpose of music creation by music students. The Orff Approach is a "child-centered way of learning" music education that treats music as a basic system like language and believes that just as every child can learn language without formal instruction so can every child learn music by a gentle and ...
educational music. easy listening. Children's music or kids' music is music composed and performed for children. In European-influenced contexts this means music, usually songs, written specifically for a juvenile audience. The composers are usually adults. Children's music has historically held both entertainment and educational functions.
At the University of Music and Theatre Leipzig, Breithaupt was a student of Robert Teichmüller, Salomon Jadassohn and Oscar Paul since 1897. Between 1904 and 1911 Breithaupt worked at the Humboldt University of Berlin [1] and later, at least from 1919 to 1929, as piano teacher at the Stern Conservatory in Berlin.
Definition. New-age music is defined more by the use and effect or feeling it produces rather than the instruments and genre used in its creation; [10] it may be acoustic, electronic, or a mixture of both. New-age artists range from solo or ensemble performances using classical-music instruments ranging from the piano, acoustic guitar, flute ...
A lullaby (/ ˈlʌləbaɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition. In addition, lullabies are often used for the developing of ...
This is a list of new-age music artists with articles on Wikipedia. New-age music is broadly defined as relaxing, even "meditative", music that is primarily instrumental. Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation.
Bouthinon-Dumas began her career as a child prodigy, starting at the age of 3 with her first scales. She was solicited for solo concerts at the age of 5, then at 9 with orchestra. Noticed by the illustrious French pianist Yvonne Lefébure, she entered the Conservatoire de Paris at 14, benefiting from her advice as well as those of Yvonne Loriod ...
In 1977, her composition, Music of the Spheres was included on Voyager 1 and 2's Golden Record. [34] In April 1975, Suzanne Ciani gave two performances on her Buchla synthesizer – one at the WBAI Free music store and one at Phil Niblock's loft. [35] These performances were released on an archival album in 2016 entitled Buchla Concerts 1975 ...